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・ Would You Rather...? with Graham Norton
・ Would You Take Another Chance on Me
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・ Would You...?
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・ Wouldn't It Be Loverly
Wouldn't It Be Nice
・ Wouldn't Take Nothing for My Journey Now
・ Wouldn't You
・ Wouldn't You Like It?
・ Wouldnit (I'm a Star)
・ Wouly de Bie
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Wouldn't It Be Nice : ウィキペディア英語版
Wouldn't It Be Nice


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"Wouldn't It Be Nice" is the opening track on the 1966 album ''Pet Sounds'' by the American rock band the Beach Boys. It was composed, arranged, and produced by Brian Wilson with words largely by Tony Asher. Later, the song's credit was amended to include Mike Love for its coda's vocal arrangement and lyric.〔 It was released as a single two months after the album's release with "God Only Knows" as its B-side. In other countries, the sides were flipped, with "Wouldn't It Be Nice" as the single's B-side
Its lyrics describe a couple in love lamenting about being too young to run off to get married, fantasizing about how nice it would be if they were adults. Like other tracks for ''Pet Sounds'', Wilson constructed the song's symphonic Wall of Sound arrangement using a variety of instruments not normally associated with popular music of its time, including accordions and a detuned twelve-string guitar. The music contains classical music devices that are unusual for a rock song, such as bitonality and ritardando. After recording the instrumental track, the Beach Boys overdubbed their voices to Wilson's exact specifications.
In 2006, Pitchfork Media placed it at number 7 on its list of "The 200 Greatest Songs of the 1960s".
==Composition==
In the ''Endless Harmony'' documentary, Brian Wilson described the song as "what children everywhere go through ... wouldn't it be nice if we were older, or could run away and get married". Wilson added in 1996, "'Wouldn't It Be Nice' was not a real long song, but it's a very 'up' song. It expresses the frustrations of youth, what you can't have, what you really want and you have to wait for it." The song expresses "the need to have the freedom to live with somebody," according to Brian. "The idea is, the more we talk about it, the more we want it, but let's talk about it anyway. Let's talk it over, let's talk about what we might have if we really got down to it." The lyrics were written almost entirely by Tony Asher over the course of one or two days; Mike Love's single contribution was the ending couplet "''Good night my baby / sleep tight my baby''".〔 Asher has said, "Brian was constantly looking for topics that kids could relate to. Even though he was dealing in the most advanced score-charts and arrangements, he was still incredibly conscious of this commercial thing. This absolute need to relate." In response, music journalist Nick Kent wrote:
"Wouldn't It Be Nice" begins with an eight-beat introduction in the key of A major. Following a single drum hit, the song shifts to the remote flat submediant key of F. Classical composer John Adams called this key change "nothing new in the classical or jazz world, but appearing here in the context of a standard rock-and-roll song, it felt novel and fresh. More than any other songwriter of that era, Brian Wilson understood the value of harmonic surprise." One section is bitonal through a bassline playing in D major. This feature was mistaken as an error by bassist Lyle Ritz, as he explains: "() rest of the band was in another key. I knew that was wrong. So during a break, I looked at everybody else's music to see if it was a mistake. Because you can't do that. But he () pulled it off." The song uses a ritardando before its bridge, a device that doesn't often appear in pop music, but does in classical music. When the bridge is entered, the song modulates down a minor third from F to D major; this same key change from F to D also occurs in "Let's Go Away for Awhile", another Wilson composition from ''Pet Sounds''.
Love's contributions are disputed by some. He has claimed that he revised or added other lyrics beyond the ending tag, while Asher asserted it was not possible due to Love's absence during songwriting sessions. Since he was touring with the group in Japan while the ''Pet Sounds'' album was being composed, Love's attorney proposed that it may have been possible that Brian consulted Love by telephone during occasional bathroom breaks. Asher, believing the argument was "so absurd," responded with incredulity. Love did not receive an official co-writing credit on the song until after 1994.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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